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POUR LE SUJET: L'homme est-il réellement libre ?
TAPEZ LES MOTS-CLES: homme libre

POUR LE SUJET: En quel sens la société libère-t-elle l'homme de la nature ?
TAPEZ LES MOTS-CLES: homme nature ou homme nature société
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LA QUESTION DU JOUR
519 - Parmi ces noms de marque, lequel est sans rapport avec la photographie?
A
Pentax
B
Philips
C
Sigma
Réponse
Fermer
La bonne reponse est : B
Correction :
Philips ne fabrique pas d'appareils photo. C'est l'activité principale de Pentax et Sigma et l'une des nombreuses activités de Sony.


Les nouveautés du site

Fishing in Spring, Paris 1887 - Vincent Van Gogh

Van Gogh's exploration of the Impressionists' method of painting became highly effective in a very short time. This typical impressionist scene of a fisherman in his punt on the Seine was painted while Van Gogh was in Paris, where he was greatly influenced by contemporary, modern artists. ...

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Landscape with House, Auvers-sur-Oise 1890 - Vincent Van Gogh

This extended landscape, with a reaper in the field and a carriage on the road, is full of activity and was painted in the final year of Van Gogh's life. Across the horizon, where the blue sky, put in with short brushstrokes, meets the land, a dark goods train travels across the picture, leaving a trail of pale...

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AWalk in the Dusk, St-Remy 1889 - Vincent Van Gogh

This strange and rather unsettling painting, which looks like a sketch of an idea rather than a complete work, has a dream-like quality with its two figures, one gesticulating, walking through groves of olive trees with the hint of hills and cypresses in the background. The sky is lit by the setting sun, with a large, pale crescent...

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Edge of a Wheatfield with Poppies and a Lark, Paris 1887 - Vincent Van Gogh

During his stay in Paris Van Gogh often visited the local countryside to paint landscapes where he was able to work on lightening his palette at the same time as he practised Impressionist techniques. His notes from this period mention his artist's appreciation for the colour yellow, which at Aries and later on played such a large part...

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Landscape in the Rain, Auvers-sur-Oise 1890 - Vincent Van Gogh

This unusual landscape was one of Van Gogh's very last pieces of work. The yellow wheatfields, the blue-grey sky, the blue-green trees and hedges, and the pallid roofs of the houses look rather sad after the magnificent southern landscapes painted in the Midi region. ...

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Field with Poppies, Auvers-sur-Oise 1890 - Vincent Van Gogh

In this particular painting, Van Gogh has used a stripped-down Impressionist technique that concentrates on expressing the mood of the scene as much as the light. The sky consists of deep blue and white brushstrokes, which sometimes mix and produce an intermediate blue tone. ...

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Sorrow (Sien), The Hague 1882 - Vincent Van Gogh

This is a drawing of Sien, the former prostitute who shared a home with Van (iogh for a time while he was in The Hague. When Van Gogh took her in she was pregnant and addicted to drink. He was determined to save her from wretchedness and ill health, and after the baby arrived acted as its father....

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Self-Portrait with a Bandaged Ear, Arles 1889 - Vincent Van Gogh

This self-portrait was painted soon after Van Gogh's break with Gauguin and his self-mutilation episode, and shows his gaunt features after leaving the asylum. The hat hides his shaven head and the bandage on his injured ear. Van Gogh, writing just before he left the hospital, appeared quite detached regarding the situation, as the following extracts from his...

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Portrait of Theodorus Van Gogh (Van Gogh's father), Etten 1881 and Portrait of the Artist's Mother (from a photograph), Arles 1888 - Vincent Van Gogh

These portraits were painted seven years apart, and his father was dead by the time Van Gogh painted his mother's portrait. The picture of Theodorus was painted at Etten and offers a rather cold, unsympathetic view of the clergyman, who seemed to find his eldest son more of a trial than a benefit. ...

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Marguerite Gachet at the Piano, Auvers-sur-Oise 1890 - Vincent Van Gogh

This thickly-painted portrait or the daughter of Dr Cachet, Van Gogh's doctor and friend at Auvers-sur-Oise, shows that in his latter days he enjoying the civilized attentions of the small community that surrounded him. Some believe that Mademoiselle Gachet was in fact rather fond of Van Gogh. By this time, though, he seems to have felt himself beyond...

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The Garden of Saint-Paul Hospital, St-Remy 1889 - Vincent Van Gogh

This famous painting is the garden of the hospital where Van Gogh placed himself in order to be under the care of his doctor. While there, he continued to paint although his paints were confiscated on occasion as during the worse times of his illness he would try to eat them - an action that could have poisoned...

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Gauguin's Chair, Arles 1888 - Vincent Van Gogh

Van Gogh painted Gauguin's chair first, as a celebration of his friend coming to live with him in the Yellow House at Aries. This chair suggests a different character altogether, and one which Van Gogh appears to have found rather impressive. The chair was probably the best one in the house, being of a more sophisticated design than...

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Vincent's Bedroom, Arles 1888 - Vincent Van Gogh

The famous painting of Van Gogh's bedroom in Axles has been reproduced so often that it is as familiar to many people as if they had lived there themselves. The rather small, plain room, which holds just a bed, a small table and a couple of chairs, is drawn and painted with Van Gogh's concept of Japanese prints...

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The Yellow House, Arles 1888 - Vincent Van Gogh

The Yellow House was where Van Gogh hoped to start a colony of artists dedicated to painting the sun-drenched south of France, possibly when on the way to Africa. He said that he would have liked to go to Africa had he been younger, but felt that Prance was the furthest he could venture. This was partly due...

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The Zouave, Arles 1888 - Vincent Van Gogh

This is a portrait that Van Gogh found very hard to paint because of the difficulty of putting together the strong colours of the uniform that contrasted with the ruddy brickwork beneath his feet. Certainly the red fez, the piping on the dark blue jacket and the soldier's suntanned face create sharp colour contrasts that could easily flatten...

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Cafe Terrace at Night at Arles, 1888 - Vincent Van Gogh

This painting is only one of Van Gogh's evocations of a southern night lit by a starry sky. The sky glows behind the darkened houses whilst in the foreground is the brilliantly-lit terrace of the local cafe with lamps, tables and chairs and people seated at the far end enjoying the warm night. ...

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Landscape Near Montmajour with a Train, Arles 1888 - Vincent Van Gogh

This drawing demonstrates that Van Gogh had by now developed a masterly grasp of perspective. Drawing purely by eye, he no longer needed to use mechanical aids to help him. Drawing with ink in the open air is quite a feat in itself, but Van Gogh's vision was perceptive. He had the ability to make certain features jump...

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Fishing Boats on the Beach, Arles 1888 - Vincent Van Gogh

'I have only been here a few months, but tell me this, could I in Paris, have done the drawing of the boats in an hour? Even without the perspective frame, I do it now without measuring, just by letting my pen go...'. ...

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Starry Night, St-Remy 1889 - Vincent Van Gogh

'One night I went for a walk by the sea along the empty shore. It was not gay, but neither was it sad...it was...beautiful. The deep-blue sky-was flooded with clouds of a blue deeper than the fundamental blue of intense cobalt, and others of a clearer blue, like the blue whiteness of the Milky Way. In the blue...

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Drawbridge with Carriage, Arles 1888 - Vincent Van Gogh

When Van Gogh first arrived in Aries in February 1889 the whole of the Midi region was covered in snow. It had been one of the coldest winters for a long time and it lasted well into March. It was not until April that he was able to paint outside properly, and then we begin to see the...

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Self-Portrait with Grey Felt Hat, Paris 1887 (after Seurat, Pissarro) - Vincent Van Gogh

This is one of the many self-portraits that Van Gogh painted while he was in Paris in 1887. He was beginning to experiment with new painting techniques, in this case with what might be called Neo-Impressionist or perhaps Semi-Pointillist. His short stabbing brush-marks are evidence of his attempt to encompass the ideas and techniques developed by the Impressionists...

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The Bridge in the Rain and Flowering Plum Tree, Paris 1887 (after Hiroshige) - Vincent Van Gogh

Van Gogh painted these images when he was working from Japanese colour prints. The prints had taken the art world of western Europe by storm. They certainly fascinated Van Gogh and influenced his style: he owned twelve of these sorts of images and had several on the walls of his studio. ...

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The Dance Hall at Arles - Vincent Van Gogh

In this evocative painting of figures flooding across the dance hall in Aries, Van Gogh emulated themes used by Renoir and his friend Toulouse-Lautrec. The flat handling of the colour contrasts follows a similar direction to Toulouse-Lautrec's graphic paintings of the Moulin Rouge series, while the cheerful colour and crowds of bodies are reminiscent of Renoir's Moulin de...

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The Arlesienne (Madame Ginoux), St-Remy, 1890 (after Gauguin) - Vincent Van Gogh

This portrait of Madame Ginoux from the cafe in Aries was painted by Van Gogh directly from a drawing of Gauguin's that he admired. While at Aries Van Gogh said that he 'was powerless to paint the women of Aries as anything but poisonous', which was directed at Degas who had talked of 'saving myself up for the...

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The Good Samaritan, St-Remy 1890 (after Delacroix) - Vincent Van Gogh

Van Gogh likened himself to Delacroix towards the end of his life when he knew he had little time left. Like Delacroix, Van Gogh worked as one possessed, pouring forth drawings and paintings at an impressive rate: 'I discovered painting when I no longer had any teeth or breath left...' ...

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