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Sorela & Stalinist dictatorship in Czechoslovakia (History & Architecture)

Publié le 10/06/2013

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architecture
 What is Sorela and what tells us about Stalinist period in Czechoslovakia? Based upon a very recent work of Kimberly Elman Zarecor, an American Professor of Architecture, by the name of Manufacturing a Socialist Modernity: Housing in Czechoslovakia, 1945-1960 (published in march 2011), this essay will deal with the architectural and historical term "Sorela" and its links with the understanding of the Stalinist period in Czechoslovakia. At the end of the forties, the Stavoprojekt, a kind of Architect Office was created in order to build (stavet) and to design (projektovat) a new post-war society. Quickly after its creation, this Council achieves a large success and became in the words of its deputy director Novy "the largest design firm in Europe and probably in the world"1. They wanted to "build" Czechoslovakia with a "Czechoslovak Modernism", considering themselves as "fighters". In the end of the forties, discontents among architects appeared and a second phase of Czechoslovak socialist architecture emerged, due to the pressure of Soviet Union that wanted arc...
architecture

« slogan encouraged by Stalin “National in form, socialist in content” was present: despite the socialist monumental architecture, Sorela architects wanted people to have their own national feeling… Architecture took a leading part in the Socialist Realism that was practiced for years in USSR, unlike in Czechoslovakia.

Indeed, Sorela architecture lasted less than 6 years: it ended after the Khrushchev discourse on the excess of Stalinism in 1955.

This fact could bring an argument to the theory that describes Sorela as an absolute obligation given to Stavoprojekt by USSR.

Nova Ostrava has been the only “big new communist town” constructed during the Sorela era, although few cities were expanded or transformed… And yet, if everybody tends to categorize Socialist realist architecture as soulless, too monumental, (…), the Sorela buildings were really popular and considered as an important progress, as the testimony of a Czech woman on the Virtual European Cultural Center 2 (VECC) website shows us: “Sorela inspired me in my own life, particularly because I spent my youth in the city of Havírov.

I was fascinated not just by Sorela’s interesting architecture, but also by its functionality, fully corresponding to the standard of living of that time.

Housing in this interesting environment was, what’s more, accompanied by the necessary transport services, shopping facilities and adequate preschool and school facilities so essential to a large community made up of a relatively young population.“ All those things show the central place of Architecture in the process of the Socialist realism wanted by Stalin to “build’ socialism and sovieticized Central Europe.

Policies and architecture are linked, more than we firstly could believe.

Czechoslovakia was also the place of those architectural changes only for six years, and today, we are able to observe the Sorela’s marks in a lot of Czech towns, such as Prague (with the International Hostel of Dejvice) or in Nova Ostrava and Havirov.

To conclude with a short sentence, architecture is an original way to study Czechoslovakia and other countries under Stalinism. 1)Za recor, K i mberly, Manufactu r i ng a Socia l ist Modern i ty, p.74, 2011 2 ) http://vecu.efos-europa.eu/no_cache/cultural-centre/single/pointer/0/theme/housing- culture/document/69/. »

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