Devoir de Philosophie

Flirtation Analysis

Publié le 09/02/2015

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"FLIRTATION" ANALYSIS Rita Dove is an English writer famous for her poetry through which she looks backwards toward the period of high modernism that she seems to do not like and implicitly criticizes through her poetry as in "Flirtation" which is a poem that belongs to ta Dove's collection hose Ri ,w title shows explicitly and directly what is the topic. Besides there is implicit criticism of modernism and vain things present inside. All along this poem, Rita Dove describes the progression of flirtation, the development of attraction's feelings and the enhancement of tentation, for this sake, she uses processes that create excitement to the reader and she sets a sensual atmosphere. Also she suggests that humans should free their ME to reach state of plenitude. However, she highlights the purity of what nature offers to humanity and suggests that man as well as woman should make the best out of any moment and even the most simple and insignificant. This is precisely proclaimed through the poem's end which represents morals or counsel given to the reader.   In the first stanza, with "there's no need to say anything", first, the speaker exalts one really truth of love. Thus he introduces the theme of love throughout the poem in a poetic manner, which is powerful in his sense because it immediately make the reader understand what is in question through this poem. Indeed, with these words, the reader can picture one of these scenes in some movies when a boy stops his girlfriend in her speech just to kiss her. So this brings romanticism to the poem. This also can suggest that two lovers can communicate only by thinking, so that they don't have to speak to understand each other because they are as in fusion, there is something like chemical or magic between them. So their minds are interconnected, it is something that remains scientifically unexplainable. Secondly, out of the love's topic, these words can simply mean that the silence can help humans to enjoy their lives. Through the poem, the reader notices the predominance of enjambment as for example o...

«   T hen in the second stanza, som ething sensual is present through “the orange peeled” w hich m ay be a m etaphor for a w om an w ho is undressed by som eone...

H ow ever, the reader can w onder W hy an orange? M aybe that the w riter chose this fruit because it is som ething w e alw ays peeled w ith our hands and not w ith knife, w hich is nearer from nature, sensualism and m ore hum anist.

A lso till the tw entieth century, the orange w as considered as a luxury and for this reason w as often offered for C hristm as, so here, it can m ean that the w riter considers w om an as som ething extrem ely precious and fragile w hich is a gracious present from G od to m an.

Furtherm ore orange is a sym bol of paradise, purity and chastity for several civilisations and represents the redem ption or the original sin w hich can be related to love and flirting.

Besides this show s that the poem is addressed to anyone especially, it is quite universal as w ell as the reader can be anyone w ho is attracted by som eone else.

So the speaker sets a sensual atm osphere w ith a blissful tone w hich inspires flirtation and suggests to the reader that he m ust enjoy his life and by m entioning nature, the w riter suggests that he m ust be harm oniously connected w ith earth or at least w ith the w hole w orld.

T hen, thanks to this atm osphere he had settled, the w riter can express his sensual feelings, his tentation and attraction tow ard the beauty of the w orld w hich he seem s to w ish to reach.

A ctually it seem s to the reader that the m ost sim ple things of life are the pow erfullest that exist on earth so that w e don’t have to be that rich to be happy, w e just have to enjoy w hat nature puts at our disposal, and do not search further, this gives a sense of epicurism to the poem .

In the follow ing stanza, on line 5 “a tulip on a w edgw ood plate” can inspire to the reader a notion of carpe diem .

T hus, “a tulip” w ould sym bolize the life that take end as quickly as flow ers ted.

A lso, as tulip produces a natural and zen atm osphere, the reader can picture a butterfly because a tulip quartered w ith petals arranged as butterfly w ings, can look like a butterfly w hose life is ephem eral.

So as previously, the graceful of w om an w as im plied in the poem , it highlights the preciousness of w om an, so m aybe that the m essage here is that m an m ust take care of w om an and do not be abrupt w ith them because of their fragility, their delicacy.

Furtherm ore, the fact that the tulip is on a w edgw ood plate sym bolizes the life w hich is so ephem eral that hum ans often try to m elt w ith vain precious things that are never going to live, nor dead, but to w hich they pay a lot of attention and im portance.

So it highlights the drivel of hum an of being so hypnotise by new technologies, jew elleries… w hile there are things m uch m ore beautiful and above all natural, w hich give m uch sense to life because it bears the pow er of nature and earth w ith it.

T here are things that hum an should pay m uch attention than those others vain things, additionally, all this is highlighted by the space that “w edgw ood plate” takes on the line, com pared to the tulip w hich thus appears as a drop of purity in an ocean of “G od useful” (Baudelaire).

T hen in saying “anything can happen” m aybe that the speaker m eans that betw een a living and som ething lifeless, there is anything that can happen so that w hose tw o things cannot be m atched, there is like a contradiction, the chem ical fusion cannot take place.

Besides, it can also m ean that anything can reach the purity and beauty of w om an w hich is as protected by the precious plate that the reader can picture as the palace, the chateau of w om an represented here by an orange.

In the Fourth stanza, the w riter enhance the sensual atm osphere w ith “ the sun has rolled 2/3. »

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