2 résultats pour "theatricality"
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Diego Velázquez (artist)
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INTRODUCTION
Velázquez and Baroque Theatricality
Spanish painter Diego Velázquez presents two scenes in The Fable of Arachne (about 1656, Museo del Prado, Madrid,
Spain), also known as The Spinners.
search for a position as court painter. In 1623, however, he returned to the capital and, after executing a portrait (1623, Prado) of the king, was named official painterto Philip IV. The portrait was the first among many such sober, direct renditions of the king, the royal family, and members of the court. Indeed, throughout the later1620s, most of Velázquez's efforts were dedicated to portraiture. Mythological subjects would at times occupy his attention, as in Bacchus, also called The Drin...
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Baroque Art and ArchitectureIINTRODUCTIONGerman Baroque ArchitectureThe baroque style of architecture flourished in Germany in the 18th century.
C Early baroque styles Conversion of Saint PaulItalian baroque painter Caravaggio painted scenes of realism and drama, often selecting lofty, religious themes anddepicting them with lower-class characters and settings with dramatic spotlighting. With its unidealized characters andfocus on the horse’s body, his Conversion of Saint Paul seems to record a stable accident, not a miraculous conversion byGod. This work was painted in 1601 and is in the Cerasi Chapel, Santa Maria del Popolo, Rome, It...