4 résultats pour "titian"
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Titian
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INTRODUCTION
Titian (1477?
Pesaro (1519-26), Titian effected a crucial change in Renaissance sacre conversazioni (paintings of the Virgin enthroned among saints) by placing the Virgin, traditionally at the composition's center, halfway up its right side, and by painting behind her in diagonal recession two giant columns that soar out of the picture'sspace. This new scheme was widely adopted by later artists, such as Paolo Veronese and the Carracci family, and, with its evocation of movement and infinity, it openedthe w...
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Titian.
Flaying of Marsyas (circa 1570-76, Kroměříž, Czech Republic) and the Nymph and Shepherd (circa 1574, Kunsthistorisches Museum). Here colors are more subdued, but the turbulence of the brushwork, hardly matched again until 20th-century painting, almost submerges the form entirely. These late mythological paintings, whichTitian called poesie (poems), stand among the most formidable statements ever made of the irresistible, elemental powers of nature. These works are paralleled by a sequence...
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Peter Paul Rubens
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INTRODUCTION
Thetis Dipping Achilles in the Styx
The sea nymph Thetis is seen dipping her son Achilles in the River Styx to make him immortal.
Rubens, Equestrian Portrait of the Duke of LermaIn 1603 Flemish painter Peter Paul Rubens traveled to Spain as part of a diplomatic mission. While there, he received acommission for this portrait of the Duke of Lerma, the powerful prime minister of Spanish king Philip III. The painting nowhangs in the Prado Museum in Madrid, Spain.The Prado Museum, Madrid/Archivo Fotografico Oronoz Shortly thereafter, following the example of many northern European artists of the period, Rubens traveled to Italy...
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Renaissance Art and Architecture
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INTRODUCTION
Renaissance Composition
During the Renaissance (15th and 16th centuries) artists discovered new ways to help them create more realistic and
compelling images.
with reliefs, had been familiar for centuries. A Early Renaissance Sculpture Ghiberti’s Gates of ParadiseThe Gates of Paradise are bronze doors created by Italian Renaissance sculptor Lorenzo Ghiberti between 1425 and 1452for the east entrance to the baptistery of the Florence Cathedral in Italy. This detail, showing Isaac and Esau, is from oneof the doors' ten panels, each of which illustrates a story from the Bible. Ghiberti endowed the scenes with volume, depth,and movement, and helped initi...