Devoir de Philosophie

Bergson, Henri-Louis

Publié le 22/02/2012

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So far as he can be classified, Bergson would be called a 'process philosopher', emphasizing the primacy of process and change rather than of the conventional solid objects which undergo those changes. His central claim is that time, properly speaking and as we experience it (which he calls 'duration'), cannot be analysed as a set of moments, but is essentially unitary. The same applies to movement, which must be distinguished from the trajectory it covers. This distinction, he claims, solves Zeno of Elea's paradoxes of motion, and analogues of it apply elsewhere, for instance, in biology and ethics. Bergson makes an important distinction between sensation and perception. He repudiates idealism, but claims that matter differs only in degree from our perceptions, which are always perfused by our memories. Perception free from all memory, or 'pure' perception, is an ideal limit and not really perception at all, but matter. Real perception is pragmatic: we perceive what is necessary for us to act, assisted by the brain which functions as a filter to ensure that we remember only what we need to remember. Humans differ from animals by developing intelligence rather than instinct, but our highest faculty is 'intuition', which fuses both. Bergson is not anti-intellectualist, though, for intuition (in one of its two senses) presupposes intelligence. He achieved popularity partly by developing a theory of evolution, using his élan vital, which seemed to allow a role for religion. In ethics he contrasted a 'closed' with a (more desirable) 'open' morality, and similarly contrasted 'static' with 'dynamic' religion, which culminates in mysticism.
bergson

« evolution.

He was also a great stylist and his books can stand beside those of Berkeley, Russell and the early Plato as among the more readable works of philosophy. 2 Time and duration The core of Bergson's philosophy, which, as he pointed out in a letter of 1915 ( 1972: 1148 ), every account of his philosophy must start from and constantly return to, on pain of distortion, is the 'intuition of duration' .

Time, for Bergson, is of two fundamentally different kinds, or better, especially for his later philosophy, appears in two fundamentally different guises.

For science, time is essentially particulate.

It consists of an infinite, dense set of instants, and science uses the calculus to study the world as it is at these instants.

Change is nothing over and above the world's being in different states at different instants, and the transition from one state to another is something science can take no account of except by using the calculus in this way.

(This interpretation of the role of the calculus for Bergson has been disputed: see Milet 1974 .) For experience, however, this transition is the very essence of time, now called duration ( durée ).

We do not live from moment to moment, but in a continuous stream of experience (the similarity to William James ' 'stream of consciousness' is unsurprising, given the close personal and professional friendship between Bergson and James, who reached their views independently). One might wonder why change should not consist simply in being in different states at different instants, provided the instants form a dense set, so that no two are adjacent (a feature Bergson unfortunately ignores in his favourite image of time as cinematographic).

Bergson's reply, that this overlooks the phenomenology of experience, surely has merit, and helps to solve several problems.

We experience the immediate past, and possibly the immediate future, along with the present, as actual, and we can perhaps avoid objections that have confronted James ' independently developed 'specious present' if (with Bergson) we avoid treating the act of experiencing as itself separate and momentary.

But be that as it may, Bergson can avoid Augustine 's problem that time vanishes because only the present is actual and the present does not last long enough to be real at all.

He also need not worry about how we acquire a concept of the past when experience only ever presents us with the present. However, problems do arise.

Duration is introduced as essentially linked to consciousness; but does duration exist in the outer world? Bergson's first major book Essai sur les données immédiates de la conscience (Time and Free Will) (1889 ) states unambiguously that it does not, but his next book Matière et mémoire : Essai sur les relations du corps avec l'esprit (Matter and Memory) (1896 ) does allow duration to the outer world, as do his later works. The change of view was well motivated, for how could a consciousness embedded in duration live in a world devoid of it? Science still treats the world as cinematographic, and so now falsifies it, but inevitably and harmlessly, so long as we do not expect from science more than it can give; it is for metaphysics, using 'intuition' , to describe the world philosophically, but only science can give us our indispensable practical understanding of the world.

Bergson, however, never seemed conscious of a real change of view, and in his much later La pensée et le. »

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