Devoir de Philosophie

essay2

Publié le 04/12/2014

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Do they take us for idiots? The more I stare and the more revolting it gets! I sometimes feel like I canno't understand fashion. The Pandora bracelet for example, is a simple 55£ cord bracelet with charms that are 60£ each. The more charms you buy and the more "special" you are. In the end, it all adds up to a total of 700£ for an ugly and ridiculously over-ornated bracelet. My friend proceeds to tell me it is very trendy and that we absolutely NEED to get one of these. I start to look around in hope that I will find support from my peers. Who would want to pay so much money for this? However all I could see was people, running around, buying things freneticaly, spending carelessly and/or flaunting their "unique" style. I keep wondering to myself why do we feel the need to buy endlessly and follow absurd trends. What if, starting from tomorrow the designer Karl Lagerfeld decides to set the trend of chamber pots hats? Would everyone follow him mindlessly because of his fame and statu quo? Fashion has always imposed physical constraint and pressure, sometimes trapping people into materialistic straitjackets. But can we really talk about fashion as a dictatorship? This essay shall try to answer this question. The first part will be about the supply: fashion and its transcendental influence whilst my second part will explore the demand and the role of the consumer in society. What does fashion really mean ? According to the internet, it's the way one dresses in accordance to the actual taste of an era. Indeed, nowadays not to be an outcast, it seems important to follow ever-changing trends that designers create and choose for us. Fashion can only really live via society as a reflection of its codes and the perception of others on ourselves. We are constantly judged and scrutinized much like in a dictatorship. If order not to be rejected by our peers, we must follow rules and meet pre-defined requirements : to be slim, tall, to wear brands, to ressemble the people in magazines and so on... It can quickly become unbearable to compare ourselves to icons and some of these unrealistic beauty standards can have fata...

« Berger particularily focuses on one of the most significant symbol of the elite : The suit.

Describing how odd it is tha t peasants buy a nd wear suits when it represents a direct contradiction with their working environment.

Even if it doesn't fit t hem a n d make them look « mis-shapen », « abnormal » ( p31 ).

This also apparents to one of the definitions of the « Trickle-down effect » : A product or a trend trickles dow n the fashion ladder from catwalk shows to common high street shops.

This theory shows clearly tha t the elite are t he trendsetters.

For example, the principle of t hese catwalk collections created by upper-class designers is to give a line of conduct on the tre nd of tomorrow.

High street shops will then obey a nd copy t hese directives to create affordable replicas. Fashion designers could also be compared to dictators, creating a new trend every year,   telling us what to wear and defining beauty by their own standards. We are forced to   purchase their latest items again and again, pursuing an ideal that changes constantly and   chasing an illusion they shimmer upon us. They use diverse   mediums an d medias to push us to consumption a n d th us, to buy their products.

Yale psychologist Stanley Milgram explains how obedience is constantly maintained through marketing an d a dvertising : While large corporations sometimes give direct orders to consumers, more often they exact obedience in indirect ways by suggesting images, ideas a nd social narratives, a nd by ma nipulating emotions so tha t desired behaviors become more likely.

(Behavioral Study of obedience, 1963, p.371-378 ).

The power of bra nding is so powerful t hat we feel like we nee d t hese items at all costs.

Designers make us believe tha t their creations are special, therefore, if we purchase them we will become special too an d get closer to the elite.. »

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