9 résultats pour "nude"
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Édouard Manet
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INTRODUCTION
Manet: Tradition and Innovation
French impressionist painter Édouard Manet shocked art audiences in Paris with Le déjeuner sur l'herbe (The Luncheon on
the Grass; 1863, Musée d'Orsay, Paris), which depicts a nude woman at a woodland picnic.
Le Déjeuner sur l’herbeLe Déjeuner sur l’herbe (Luncheon on the Grass) by Édouard Manet was painted in 1863. When it was first displayed, therough brushwork and undefined areas of color were as distressing to the public as the nude woman who was neither aclassical goddess nor a symbol in an allegory. Manet claimed that the real subject of the painting was light, and it was thatphilosophy that gave birth to impressionism.Bridgeman Art Library, London/New York After his father died in 1862, Manet...
- Nude Descending a Staircase, No.
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Michelangelo
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INTRODUCTION
Michelangelo (1475-1564), Italian painter, sculptor, architect, and poet whose artistic accomplishments exerted a tremendous influence on his contemporaries and on
subsequent European art.
(17 ft) tall, was carved from a block of stone that another sculptor had left unfinished. Michelangelo drew on the classical tradition in depicting David as a nude,standing with his weight on one leg, the other leg at rest ( see contrapposto). This pose suggests impending movement, and the entire sculpture shows tense waiting, as David sizes up his enemy and considers his course of action. While David reveals Michelangelo's expert knowledge of anatomy (he had been dissecting corpses for about...
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Michelangelo.
(17 ft) tall, was carved from a block of stone that another sculptor had left unfinished. Michelangelo drew on the classical tradition in depicting David as a nude,standing with his weight on one leg, the other leg at rest ( see contrapposto). This pose suggests impending movement, and the entire sculpture shows tense waiting, as David sizes up his enemy and considers his course of action. While David reveals Michelangelo's expert knowledge of anatomy (he had been dissecting corpses for about...
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Renaissance Art and Architecture
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INTRODUCTION
Renaissance Composition
During the Renaissance (15th and 16th centuries) artists discovered new ways to help them create more realistic and
compelling images.
with reliefs, had been familiar for centuries. A Early Renaissance Sculpture Ghiberti’s Gates of ParadiseThe Gates of Paradise are bronze doors created by Italian Renaissance sculptor Lorenzo Ghiberti between 1425 and 1452for the east entrance to the baptistery of the Florence Cathedral in Italy. This detail, showing Isaac and Esau, is from oneof the doors' ten panels, each of which illustrates a story from the Bible. Ghiberti endowed the scenes with volume, depth,and movement, and helped initi...
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Boucher's Diana resting after her Bath, not a mythological painting !!!
size. Mythological paintings were often painted on large canvases to symbolize the divinity and importance of the immortals depicted. The Rococo Movement is characterized by small canvases that were made to fit on wooden panels of smaller apartments, and “Diana Resting After Her Bath”, which measures 57 × 73 cm (22.4 × 28.7 in), would thus refer more to the characteristic of a genre painting than a mythological one. Furthermore, Diana is more sensual than a huntress, as she is nude....
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Impressionism (art)
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INTRODUCTION
Vegetable Garden at the Hermitage, Pontoise
Vegetable Garden at the Hermitage, Pontoise (1879) was painted by the French artist Camille Pissarro.
the Grass; 1863, Musée d’Orsay, Paris), which depicts a nude woman at a woodland picnic. To emphasize the woman’snakedness, Manet not only shows that she has recently disrobed (by painting her clothes in a heap nearby) but alsodepicts her male companions fully clothed. In addition, the woman stares directly and unabashedly at the viewer, makingus feel almost like voyeurs as we gaze back. Manet’s painting style–the flat figures, which look almost like cutouts, andloose brushwork–also bewildered a...
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En quoi le personnage de Meursault change notre vision du monde ?
Dissertation sur L’étranger d’Albert Camus perçoit l’ombre d’une personne s’approcher de lui et il lui tire dessus. Il tire encore trois fois sur le cadavre, par déséspoir, lorsqu’il réalise ce qu’il vient de produire. Il y a une forme de refus et d’acceptation de la réalité qui coincident: submergé par une confusion absurde, il assume qu’il a commis un crime mais il ne trouve aucune raison. S’il a agit instinctiv ement, forcément il n’aura ni raison ni justifi...
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Titian
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INTRODUCTION
Titian (1477?
Pesaro (1519-26), Titian effected a crucial change in Renaissance sacre conversazioni (paintings of the Virgin enthroned among saints) by placing the Virgin, traditionally at the composition's center, halfway up its right side, and by painting behind her in diagonal recession two giant columns that soar out of the picture'sspace. This new scheme was widely adopted by later artists, such as Paolo Veronese and the Carracci family, and, with its evocation of movement and infinity, it openedthe w...