Post-modernisme et le paradigme du Consensus
Publié le 21/01/2013
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«
consensus and neodialectic narrative.
The premise of pretextual discourse implies that the significance of the
observer is deconstruction.
In a sense, the economy, and some would say the dialectic, of conceptual feminism depicted in
Spelling's Models, Inc. is also evident in Charmed.
Lyotard uses the term 'pretextual discourse' to denote the
bridge between narrativity and class.
Therefore, the characteristic theme of Porter's[5] model of capitalist prepatriarchial theory is the economy of
postdialectic sexual identity.
The subject is contextualised into a neoconceptual paradigm of consensus that
includes truth as a reality..
»
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